An epic retelling of an interesting chapter from Maratha history

ByAndria Varble

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Immediately after Farzand and Fatteshikast, Digpal Lanjekar’s initially two films in the series of movies dedicated to the bravery of Chhatrapati Shivaji Maharaj and the Maratha army, the writer-director returns with a bang in the third film of the collection – Pawankhind.

The movie, which was delayed thanks to the pandemic, is based mostly on a single of the most popular incidents from Maratha record – the Fight of Pavan Khind. At the outset, the makers make it obvious that this is not a full documentation of the battle, its prelude or aftermath, but a cinematic recreation meant to showcase the bravery of the Marathas associated in this struggle. So, there are cinematic liberties taken in this retelling, but the crux of the story is taken care of.

The story about the Struggle of Pavan Khind (earlier regarded as Ghod Khind) and the bravery displayed by Bajiprabhu Deshpande and the Bandal army of 600 from the Siddhi Masud and the troopers of the Adilshahi Sultanate is very well regarded across Maharashtra. The end result – Chhatrapati Shivaji Maharaj’s productive escape from Panhalgad to Vishalgad. But, does Lanjekar succeed in recreating this critical chapter from Marathi record on display screen? Unquestionably!

Pawankhind is a thorough cinematic expertise that is in shape for the big monitor. The film is ambitious in making an attempt to take a look at this story in two and a 50 percent hours, but it mainly succeeds in developing the right construct up and atmosphere that leads to a great climax. From laying out the rationale and the characters included in it, to the siege of Panhala by Siddhi Jauhar, the escape prepare and the actual fight, Pawankhind lays out all its cards in entrance you chronologically, whilst inducing a dose of history, drama and even comic aid in among. The film does not overlook out on supplying owing credit history to the greater part of the generals who aided Shivaji Maharaj realise his aspiration of Swarajya.

As for the actors, it is not an easy endeavor to deliver some of the most effectively –known names from the Marathi film and Television industry together in a multi-starrer of this scale. But the casting office and makers pull off this feat. Chinmay Mandlekar as Shivaji Maharaj, Ajay Purkar as Bajiprabhu Deshpande, Sameer Dharmadhikari as Siddhi Jauhar, Aastad Kale as Siddhi Masud, Ankit Mohan as Rayaji Bandal, Mrinal Kulkarni as Maasaheb Jijau, Akshay Waghmare as Koyaji Bandal just about every actor has presented his greatest to their roles. Even the supporting solid has some unforgettable performances from Kshitee Jog as Badi Begum, Harish Dudhade as Bahirji Naik, Shivraj Waichal as Harpya, Rishi Saxena as Rustam Zaman. An additional noteworthy efficiency that stands out is that of Ajinkya Nanaware as Shiva Kashid, the male who resembled Shivaji Maharaj and sacrificed himself for his king. The scenes involving Ajinkya and Chinmay are bound to provide tears to your eyes.

When Pawankhind excels in storytelling, the technological aspects, nevertheless good, could have been better. The history score overpowers dialogues in some critical scenes, and the motion choreography in some scenes fails to make the cut. Having said that, all stated and accomplished, the whole team has accomplished its very best to make this a massive monitor practical experience. Maybe with a bigger finances, these issues can be ironed out in the pursuing films of Lanjekar’s series.

For now, Pawankhind is a excellent enjoy, and at the cinemas only.